A grounded practice, a voice for the future

My artistic work is not an end in itself. It is a vehicle — a way to enter into relationship with the world, to reveal its beauty, its fragility, its ancient intelligence.

To create, for me, is to awaken. To inhabit this era. To open spaces of awareness in a world that accelerates, forgets, and uproots. It is to offer a voice — artistic, human, sensitive — that may still be heard 200 or 500 years from now. A voice that transcends cultures, borders, and generations.

This commitment now takes form through For Lifinity, an international association rooted in three inseparable pillars:

Preserving threatened environments

I live in Poudre d’Or, a small village in the Indian Ocean, bordered by the last remaining mangrove forest of Mauritius. This land is my anchor — but also a warning. Mangrove forests are vanishing at a rapid pace, even though they are vital to climate balance, biodiversity, and both human and marine life.

For Lifinity works to protect these irreplaceable ecosystems in Mauritius and around the world by weaving together art, ecology, scientific research, and community-based action.

Safeguarding and transmitting ancestral knowledge

Traditional techniques, ancient gestures, and natural materials carry a deep, often unspoken form of intelligence. Like forests, they are disappearing.

My commitment is to protect these knowledges through education, transmission, and support for those who still practice them. We aim to build bridges between artisans, artists, schools, and territories — and to open up new channels of visibility and value for these practices in today’s world.

Reviving places through creation

I deeply believe that art can regenerate. Through artist residencies, exhibitions, and collaborative projects, For Lifinity brings these vulnerable places into the collective imagination.

They are not relics to be preserved, but living environments to inhabit, honour, and protect — through beauty, knowledge, and creation.